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Binding: Audio CDEAN: 0825646298624 Label: Downtown/Ed Banger Manufacturer: Downtown/Ed Banger MPN: 224892 Number Of Discs: 1 Publisher: Downtown/Ed Banger Release Date: July 10, 2007 Studio: Downtown/Ed Banger Editorial Review: Amazon.com: Justice is the moniker of the Paris-based production duo Gaspard Augé and Xavier de Rosnay. Their approach to crazy-quilt dance-pop hybridism is infectious, if a tad off-putting here and there. The duo rose to fame due to an MP3 single and super smart video for the excellent, kiddy-chorused house-pop number "D.A.N.C.E." in 2007, and they soon thereafter signed to the suitably named label Banger. They manage to make really silly and fun music in a way that frequently comes off in a pretentious manner. It's ridiculous to name your album after a symbol, especially if it's †. This is not meant derogatorily. Really. Justice does appear to be that rare breed of dance artist equally capable of stimulating the body and the mind, though neither Richard James nor the Basement Jaxx need fear this act. After just one listen to "Waters of Nazareth," it's very difficult to avoid wondering "how the hell did they mix and match noise and pop so beautifully" while also dancing furiously. --Mike McGonigal Amazon.com: Rarely does a European DJ/dance album hit the U.S. with as full a head of steam as this one, but after the twin jabs of the singles "Never Be Alone" and "Waters of Nazareth," French duo Justice was poised and ready to follow with Cross. As a strong contender for the dance album of 2007, this 12-track debut shows Xavier de Rosnay and Gaspard Augé flexing more musical elasticity than the "dance" or "house" tags can possibly convey on their own, never mind the "French Touch" movement with which the pair is loosely and rather reductively associated. Having remixed tracks from artists as dissimilar as Britney Spears and Franz Ferdinand, the pair seems to have been building its chops for exactly this kind of resolutely defiant masterwork. From the relentless, gritty electro-bounce of opener "Genesis" and the stuttering, four-on-the-floor propulsion of "Let There Be Light," to the children's chorus of "D.A.N.C.E." and the rock-indebted "DVNO," Cross starts with a palette of house and disco beats and then throws the kitchen sink at it. The resulting amalgam boasts a tectonic range of reference without ever sacrificing de Rosnay and Augé's slavish devotion to the fine art of the party album. --Jason Kirk Album Description: Justice's monster beats, massive hooks, thunderous drums, and near-religious determination to demolish dance floors cast them in a light no contemporary can catch. The group's US debut single, "Waters Of Nazareth" arrived in 2006 and solidified their sound: huge slabs of beats, brutal strings, and cathartic release. That record sets the stage for this, their debut full-length, boasting the already ubiquitous disco pop anthem "D.A.N.C.E.", which features the best English children's choir since "Another Brick In The Wall Pt. 2". Album Description: Justice's monster beats, massive hooks, thunderous drums, and near-religious determination to demolish dance floors cast them in a light no contemporary can catch. The group's US debut single, "Waters Of Nazareth" arrived in 2006 and solidified their sound: huge slabs of beats, brutal strings, and cathartic release. That record sets the stage for this, their debut full-length, boasting the already ubiquitous disco pop anthem "D.A.N.C.E.", which features the best English children's choir since "Another Brick In The Wall Pt. 2". Album Details: You Know Justice, AKA Xavier De Rosnay and Gaspard Auge. French Duo, Remixed Simian to Create the Titanic 'we Are Your Friends', the Anthem-that-will-not-die, That's Wrecked Dancefloors from Backstage Glasto to Trash to Euro-resorts Groovy Parisians who have the Balls to Name their Single, Or Dare We Say, their Hit "d.a.n.c.e." And in Caps Would You Believe. But You Can When You're Called Justice and in all but Three Years have Revolutionized Dancefloors all Over the World Average Rating:
 Rating:  - sounds better on vinyl Got introduced to justice when i got introduced to the song Street Justice by MSTRKRFT. At first, i listened to their cd at hmv but i thought it sounded childish & amateurish. I forgot about it until I listened to boys noize. I thought BN was a more professional in production & sound. After seeing BN in concert w/ mstrkrft where mstrkrft was very girly-man house sounding, BN just powered through the crowd where 90% couldn't dance to bec they onlyknow girly-man house music. I ... Read More Rating: - It's a copy of Basillios - but then again... it rules.Cet album gouverne. C'est dommage la division de Basillios d'eux juste avant le relâchement de cet album. Bien que Basillios > l'album est solide... il n'a pas juste le même succès commercial comme la Justice. Il semble comme il sera le Dave Mustaine de musique électronique. Bon Album. Rating:  - The BEST!This was one of the best electronic music albums I have ever listened, I just loved every single track in it. Definitely worth the money! Rating: - It's all about funEvery now and then somebody releases an album that isn't incredibly serious or groundbreaking, but is, above all, just plain fun. "Cross" definitely falls into that category. It's basically a party on a disc. It's refreshingly light in approach. Justice obviously doesn't take themselves too seriously as one can tell by tracks like "D.A.N.C.E." - but that doesn't mean they lack substance. Although one can never be sure, it doesn't seem like the work of a one-hit wonder. For one thing, ... Read More Rating: - an amazing cd, oh ya!this has not left position # 1 in my car changer ... esp # 6,8, and 9 amazing way better than Daft Punk and hey, thats a stretch for me to say after ALL of the years I loved them till Robot Rock, ugh! Justice, amazing! |
