|
|
Amazon.com's Price: $42.98 Prices subject to change.Availability: Usually ships in 1 to 2 days
This item ships for FREE with Super Saver Shipping.
Binding: LP RecordEAN: 5099910409718 Format: Import Label: Emd Int'l Manufacturer: Emd Int'l Number Of Discs: 1 Publisher: Emd Int'l Release Date: July 15, 2008 Studio: Emd Int'l Editorial Review: Amazon.com essential recording: Revolver wouldn't remain the Beatles' most ambitious LP for long, but many fans--including this one--remember it as their best. An object lesson in fitting great songwriting into experimental production and genre play, this is also a record whose influence extends far beyond mere they-was-the-greatest cheerleading. Putting McCartney's more traditionally melodic "Here, There and Everywhere" and "For No One" alongside Lennon's direct-hit sneering ("Dr. Robert") and dreamscapes ("I'm Only Sleeping," "Tomorrow Never Knows") and Harrison's peaking wit ("Taxman") was as conceptually brilliant as anything Sgt. Pepper attempted, and more subtly fulfilling. A must. --Rickey Wright Album Description: It is nearly impossible to overestimate this record. Revolver straddles with steady legs the divide between the exuberant pop of the '60s beat boom and the experimental outlands that followed. And then pisses over it all. Revolver stands at the summit of western pop music, partly by virtue of its centrality to the musical revolution of the '60s, and partly because its songs have endured as well as any ever written. On cuts like "Taxman" (featuring a fantastically ferocious guitar solo from, of all people, Paul McCartney) and "Doctor Robert," The Beatles' harmony-rich R&B is on such masterful form, the only question remaining is what they would do for act two. The answer: Change Everything. EMI. 2005. Average Rating:
![]() Rating: - CornucopiaReleased in August, 1966, at roughly the same time the Beatles stopped touring for good, "Revolver" remains amazing in its sheer variety. The songs are all over the map: Paul McCartney pays tribute to Motown with the horn-driven "Got To Get You Into My Life"; Ringo sings about the joys of living in a "Yellow Submarine" (later the basis for their delightful third motion picture); George Harrison expresses his Indian interests in "Love You To" (and delivers a jab to the Inland Revenue with "Taxman"); ... Read More Rating: - Haunting, Creative and Truly EnvelopingWith haunting melodies like "I'm Only Sleeping", "Eleanor Rigby", "Good Day Sunshine" and "She Said She Said" to name just a few, this is a very pleasing Beatles effort to listen to. If anyone needed proof that there's more to the Beatles than their hits, look no further. This album fluctuates effortlessly between vocal-centered pieces and George Harrison's much-loved sitar-driven melodies, and here I've only scraped the surface of the creativity that goes into the instrumentation. For Revolver ... Read More Rating: - An Excellent, Diverse, Power Pop AlbumEasily one of the Beatles best albums! Diverse songwriting styles are showcased with each song seemingly having a different style yet they blend perfectly with each other. Of course in charge of the production was George Martin as always. It's amazing how much ground this album covers given the fact that none of the fourteen songs featured actually lasts more than three minutes and a half!! By the time this album was released in 1966 the band's sound had evolved a lot indeed. Especially when you think ... Read More Rating: - A Rock & Roll MasterpieceWhat happens when you get four guys from Liverpool, songs like "Taxman", "I'm Only Sleeping" and "Tomorrow Never Knows" and throw in some LSD here and there? You get a rock & roll classic my friend. Revolver was released when rock music was wedged between Folk and Psychedelia, so it should sound way ahead of its time. Does the album stand for the test of time? Read on for my review! From the opening proto-punk riff of Taxman to the childish nature of Yellow Submarine to the Syd Barret era-Pink Floyd ... Read More Rating: - Another adventure with the fab four!What do I love about this album? The opening coughs and the countout "one, two, three, four, one, two" - a dirty way to start a Beatles album - aren't they supposed to be those clean-cut lads from Liverpool? It's the first clue that this is going to be a different journey than we expected. The witty George Harrison, tongue-in-cheek, with a song that vocalizes a universal suspicion that our money is being unfairly commandeered by the government, a sentiment that resonates more strongly as I've gotten older. What ... Read More |